Early in his career Bob Dylan adapted words from the Bible and wrote:

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

Most people will remember this as more of a Byrds’ song, a group who immortalized the hit song,  than one by Dylan.

Over the years many of Dylan’s songs have earned cover versions, notably the trillion versions of  Knocking on Heaven’s Door, George Harrison’s If Not For You,  The Rolling Stones’ inevitable live cover of Like a Rolling Stone (no there is no connection between the song and the group’s name), Fairport Convention’s I’ll Keep it with Mine,  the recent Adele’s rendition of Make You Feel My Love and of course the tremendous Hendrix All Along the Watchtower. Basically if you’re not covered then you haven’t made it.

Charity albums and performances have become similarly popular over the last few decades. They are basically a Win WIn project, some African country or children’s fund gets the money, a lot of celebrities get great hype and publicity and we get  a multi disc package for a special price. When these are good they are very very good (as in The Concert for Bangla Desh) and when they are bad – well how bad can they be with all the artists involved there must be a few really good tracks right?

Which brings me to the four disc, 76 track 80 artist extravaganza celebrating Bob Dylan’s work and 50 years of Amnesty International. Everyone who is anybody, was somebody or is on talking terms with the producer seems to have got into the act. The result, as you might expect is mixed. It’s like going to a fusion restaurant that serves a set dinner comprising of   Sushi, baked beans on toast, hummus, Aljotta soup, Hungarian goulash, Shepherd’s Pie, black bean ice-cream, Brie and Italian espresso. Yes you are liable to get indigestion!

As Pavarotti has passed on it was left to the producers Jeff Ayeroff and Julie Yannatta, who previously gave us the Darfur John Lennon tribute, to be more creative. And creative they were. First they dug up Joan Baez, Marianne Faithfull, Kris Kristofferson, Pete Seeger and Carley Simon, then they added classic rock idols   Pete Townsend and Mark Knopfler, plus representatives from every music category around and made sure not to forget the GREAT  Miley Cyrus!!. Luckily we now live in a digital world where you can filter out the bad stuff ( Please don’t ask me about Ke$ha’s murder of Don’t Think Twice it’s Alright, my words could never do it proper injustice)  and listen to some of the better moments – and because of the size of the project there are quite a few. I particularly liked Angelique Kidjo’s beautiful  Lay Lady Lay, Brett Dennen’s uplifting You Ain’t Going Nowhere and  Raphael Saadiq’s interesting  Leopard-Skin Pill-Box Hat. For the rest of the bunch I’ll let you make your own choices. I couldn’t digest Pete Seeger’s Forever Young or Carley’s Just Like a Woman and was truly disappointed with (Marianne Faithful’s live rendition of  Baby Let Me Follow You Down.

Not my favorite album by far but it has it’s moments. Judge for yourself.

More on Dylan in the Taite Gallery

The philosophy of Dylan  – a deeper look at Dylan’s best lyrics

Times are Changing - An updated Dylan masterpiece

 

 

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