Ron Mueck: Sculpture Magic
Eventually Mueck turned to fine art and sculpture. In the early 1990s, still in his advertising days, Mueck was commissioned to make something highly realistic, and was wondering what material would do the trick. Latex was the usual, but he wanted something harder, more precise. Luckily, he saw a little architectural decor on the wall of a boutique and inquired as to the nice, pink stuff’s nature. Fiberglass resin was the answer, and Mueck has used it ever since.
His participation in te exhinit Sensation: Works at the Saatchi Gallery brought him recognition, and snce posted shows at major galleries in New York, Germany, not to mention the selection for the London Millenium Dome where his five metre high sculpture Boy 1999 was a featured.































